Starry Starry Night
------梵*高，《星空》
这幅《星空》我一共看见过三次。一次是很久以前，在某本杂志上，偶尔翻动的时候看到。那时内心莫名地感觉，像是自己的什么东西已经被画者给诉说了出来；第二次是在大屏幕上，教师用投影仪把它放大了，静静地观赏，一种眼花缭乱般的心醉与流畅；第三次，学校图书馆，我搜到了《梵高传》。它是如此久违，让我明白了Don Mclean的那首《vicent》究竟是为何而唱。
Starry Starry Night
Paint your palette blue and gray
Look out on a summer’s day
With eyes that know the darknes in my soul
Shadows on the hill
Sketch the tree and the winter chills
In colors on the snowy linen land ------《Vincent》
《星空》的画面神秘浪漫，绚丽缭乱的色彩令人神迷。宽厚拙朴的色条回旋于暗蓝的夜空，音乐一般的律动着，形成大大小小的旋涡，引人向那宇宙深处去。星光的表现则以白色，及柠檬黄的短小色条聚集成圆盘，中心再以更鲜亮的黄色点出星星，很是特别。与躁动激烈的天空想对比，画面下部是平静的村庄，但是这平静之中也似乎有什么东西蠢蠢欲动。村中教堂的尖塔被拉长，神经质地指向天空。画面左边一大丛暗绿褐色的柏树扭曲向上，火焰一般烧进同样沸腾的夜空，有力地分割了画面，使构图完美平衡。
Starry Starry Night
Portraits hung in empty halls
Frameless heads on nameless walls
With eyes that watch the world and can’t forget
Like strangers that you’re met
The ragged man in ragged clothes
The silver thorm of bloody rose
Lie crushed and broken on the virgin snow -----------《Vicent》
这幅《星空》作于1889年6月。之前命运对梵高的打击是接踵而来：梵高割下了自己的右耳朵送给了一个名叫兰秀儿的妓女；高更因为和梵高的不和而搬出了他们共同的寓所；黄房子画室被查封。梵高受到了来自全体阿尔市民的排斥，只有雷伊大夫可怜他。弟弟提奥也结婚了。孤独和苦闷充斥了梵高的病情。可他清醒的时候又跟正常人没什么两样。这让他更加懊恼。萨尔牧师推荐梵高到阿尔以北约25公里的小镇圣雷米去静养。于是梵高于1889年5月搬到了那里的圣保罗精神病疗养院。佩隆大夫收治了他。
在这里，梵高有两个房间，一个专用于绘画，还可以外出写生。刚开始一段时间，梵高过的比较平静，他发现并开始表现一些全新的独特的主题，其中就包括星空。除了画画，他还进行阅读。但是，他仍然时时感到孤独恐惧，仍然在与病魔顽强斗争着。这些不良情绪反映到了画画上。阴郁，不安和躁动笼罩了一切。不过，梵高那特有的旺盛炽烈的生命力也通过那些夸张扭转的形象前所未有的喷发了出来。
这幅《星空》，整个画面看似疯狂，却有着某中内在的秩序。据天文家考证，这幅画是经过了细致的观察，精心的安排，既合天文，暗示了星辰的运动和轨迹。所以这幅画并不是一般认为的情感失控时的想象之作。梵高多次强调绘画应该依法自然，批评那种提倡想象的人。但是他又不满足于画像“照相式完美”的图。他认为“画一幅夜空图，只在蓝黑的底色上画几个白点显然是不够的”。因为他的目的不止于印象派对客观自然的关注，而更多的是主观情感的宣泄。这才有了这幅旷世之作。
Now I think I know
What you tried to say to me
How you suffered for you sanity
How you tried to set them free
They did not listen they’re not listening still
Perhaps they never will
… …
For they couldn’t love you
But still your love was ture
And when no hope was left inside
On that starry starry night
You took your life as lovers often do
But I could have told you Vincent
This world was never meant for one as beautiful as you
… … ------《Vincent》
梵高生前和弟弟提奥之间有大量通信。提奥曾说：“如果人们了解他的思想有多么丰富，他怎样保持了自我，那么，人们就会知道，这些书信构成了一部多么不同凡响的书。”但是提奥在各个死后半年便悲痛的追随而去。幸好有提奥的妻子乔安娜和其儿子一起致力于对梵高生平，思想和画作的宣传。乔安娜整理了堆积如山的梵高的作品，办了展览，还促成了梵高书信集的出版。他死后她的儿子又努力成立了“梵高基金会”。后来，荷兰政府又为梵高修建了一座永久纪念馆，即阿姆斯特丹梵高美术馆，于1973年开放，是现在世界上拥有梵高的画最多的美术馆。而梵高的作品在市场上的价格也越来越高，不少画作都以千万元以上的天价卖出。
也许正如使徒保罗所言：永远悲伤，又永远快乐。
上帝终于没有亏待梵高。
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还有，他的，向日葵
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高更眼中的梵高在作画
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梵高自画
割耳
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戴帽
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自画
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如果看得够清晰的话，会发现在最后的一张自画像里，梵高在自己的眼角前放加了几笔绿色．这有特殊意义．
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